Empty Attic: No Object, No Fix, No Problem

I am living in the lap of luxury, teaching and practicing yoga and meditating. I have heat when it is cold, I have food when I am preparing to feed my family, and various means to provide for holidays and birthday celebrations. I can walk to my work, which has become an offering from my essential self using my energy in ways that gives what I have to give and brings back to me what I need. This is not a manipulated view of my life, but one that reflects the truth of my daily experience.

People I love have deep on-going struggles, friends of mine are suffering with terminal illnesses and the attendant treatments, entire nations in the Middle East are losing the ground upon which civil government stands, and many people have lost their homes and livelihoods in New York City, Haiti and the Philippines. This is not a manipulated view of my world, but one that reflects the truth of my daily experience.

How to position myself to accommodate these truths? The first step is to stop attaching to a particular definition of what is good or bad about what I perceive; the second is to approach each aspect of that with an open heart that accepts what I perceive without assigning blame; the third is to nurture that open heart from a state of gratitude so that all the possibilities appear rather than a one-solution frame of mind (this includes allowing the feelings to arise rather than clamp down on this one and pretend that one is the good one).

I will not cure the causes of cancer, not stop the pain of personal loss, nor create a plan for civil society or dispel confusion even in one young sweet mind. I do understand that each of us has a life span, and that we cannot know its length or purpose. We use energy every day, turning towards goals, tasks and practices to provide what we imagine as necessities, satisfactions, support, and sometimes generosity. To a large degree, we do this in whatever context we find ourselves with more or less angst or joy.

Here in the last weeks of 2012 I see my operating fundamentals are: not attaching to, grasping at or hoarding meanings, goals or objects; seeing situations as causes and reactions rather than as a duality of good or bad; remembering again and again that gratitude in this moment will lead me out of confusion into clarity.

In this way I can enjoy my mysterious little part here on earth. Living in a human body fraught with its own foibles, applying my thinking as I have learned and relearned and unlearned, and surrounded by the context into which I stumbled by my birth, growth, and connections to other people. So easily we slip into the space made for us as the children of these people, living in this place, growing up here, and having these good and bad experiences.  Eventually I have come to see that all drifts away like mist, and while still honoring my ancestors and my own experiences in earlier contexts, I have much greater freedom in the moment than I ever imagined.  All the stuff clutched in my mind, attic, closet. barn, or basement can make its way back into the world without adding or subtracting from me.

Being Able to Feel

Building and Earthquake

How easy it is for a dream to construct

both building and earthquake.

Also the nine flights of wooden stairs in the dark,

and the trembling horse, its hard breathing

loud in the sudden after-silence and starlight.

This time the dream allows the building to stand.

Something it takes the dreamer a long time to notice,

who thought that the fear was the meaning

when being able to feel the fear was the meaning.

Jane Hirschfield, from "COME, THIEF" Poems, 2011

The practice is not one of dilution nor erasure. It is not curative nor corrective. Let's call it a practice of immersion and illumination. I find this is where life becomes a reflection of truth and broadens to let in all the possibilities.

It is particularly poignant to me that Hirshfield uses the framework of a dream here. I've been struck by how vividly dreams hold the mind and provide experiences even while we sleep. This is such a lovely way of noticing that the mind creates all of our experiences, even the illusions that we rely upon so deeply in order to go on about our lives.

The dream opens slowly to the dreamer, as witness to the mind's story. This, too, is a most remarkable moment when we see ourselves seeing, and are able to feel ourselves feeling.  

In my yoga teacher training at Kripalu we delved into the idea of meditation in motion that yoga offers. More than the placement of this foot there, or drawing a line in the mind from point A to point B; more than losing track of thoughts or feeling the rush of endorphins that bring happiness and loss of memory about the pain we walked in with, yoga is that space in which we can take "a long time to notice." It is the being itself that has meaning, not lost in the reactive, but able to take it all in.

Seeking the Nature of Reactivity: Can I See My Self?

Relationships are complex and intangible. I can stand next to someone and some sort of a relationship forms. We arrange ourselves spatially, use eye contact cues and follow rules of engagement that change constantly.

In one recent class I was teaching, I suddenly proposed: “What if you simply stopped judging the people you love? What if a person who loves you could look you in the eye and say, I completely accept you? What if that person was a co-worker, or a person next to you on the subway, or in this class?” It was shocking to imagine anyone, even a person who loves me, gazing at anyone else, even me, without judgment. In that moment my students’ eyes were fixed on me and their minds were full of reactions to me and my words. Maybe they picked up on the fact that even I, “the teacher,” was shaken awake to imagine this.

Our very nature is a reactive one. Stilling the waves of the mind, as Patanjali states in the second verse of his yoga sutras, means watching that reactive nature with awareness but not being subjected to its every wave. Can we actually function among others, doing our daily tasks without falling victim to our own stories and in essence blinding ourselves to reality? Reality is, in this case, the understanding that we are connected rather than separate in the realm of all living beings. Of course as long as we continue to think of ourselves as separate entities, our functioning will remain judgmental and attached.

I find it very hard not to drop into various definitions, or characters, or roles and react again and again from there. The process seems to form layers of story, and each has its point at the time, but they get heavy to carry around after a while. It is a long-term project to put them down, or perhaps it is very quick but has to happen again and again – maybe for each layer. If I have trouble giving this habit up when living in my own body as my own self, imagine how much harder it is for me to give it up when I have just a moment to consider someone else? The tendency to name, buttonhole, identify, define, attach meanings and judge is a very strong tendency!

I begin with the concept of patterns in my mental attitudes, behaviors, and judgments. Pausing to pay attention is my first line of inquiry; I can start with noticing whether I am inhaling or exhaling and that slows me down before my thoughts get hijacked by their attachment to a pattern. It is only with a pause long enough in which I can see the pattern that I can recognize it and make choices. In conversation I might literally press the tip of my tongue on the roof of my mouth before I speak in order to give myself time to notice what’s going on in my judgmental mind. The action doesn’t stop, but I can stop my reaction, and that makes it possible to imagine/see/choose a different course.

Buddhist teacher and author Dzogchen Ponlop Rinpoche speaks to seeing authentic emotions in a June 4, 2010 essay in the Huffington Post (www.huffingtonpost.com/dzogchen-ponlop-rinpoche/emotional-awareness-buddhism_b_598417.html) “If we're going to understand ourselves, much less another person, we have to look beneath our patterns and face our emotions in their natural, undisguised state. When we're stuck at the level of our habitual dramas, it's like going through the day half awake, barely conscious of the world's brilliance. Some part of us may like this half-asleep state, where nothing is too bright, too energetic, or too unknown. But another part of us can hardly wait to be free, to take a chance, to see what's on the other side of the mountain.”

One of the results of my yoga is that I can no longer see myself as a finite object. It is as though I have been transformed into something much more fluid. I can find old patterns, like the marks left by floods on the walls. There is plenty of evidence there of my past behaviors and reactions. Sometimes I repeat the same knee-jerk behavior, but much more often I see it like that faint stain mark and can let the waters out before they rise to that point again. Every now and then I totally surprise myself with something so wide open that I can hardly find any self there at all, just a sense of space and being. Staying in that essential state takes practice. Usually as soon as I notice it, I am out of it. In fact the separation it takes to see it happening, requires that I return to the witness chair. Asana and meditation, slow walks, silences, all help me with that work of staying comfortable while unattached.

So in starting out to think about seeing myself in order to catch my patterns and see others without judgment, I’ve practiced seeing the patterns and begin to understand that they are not me. Sure there are strings of attachment to the stories I’ve created about my life and the memories and the dreams and the forms of others who were around me, but they are my stories, and not me either. It may be that consciousness is even more vast than self-consciousness. This inquiry absorbs my intense, focused attention and helps me to get out of the picture at the same time.

Words, Meaning & Mind

Words represent the conventions of mind.
We can agree on this.
I give you a word, and you and I will both fill in meanings,
Perhaps similar, perhaps not at all alike.
Sitting quietly, words lapping like waves at low tide.

I watch myself resting.

Look out the window.
I fill my mind with sunlight on the far trees.
This is a familiar scene,
organized against the backdrop of sky.
Shifting my eyes, it becomes a movie.

The hawk that flew in the cold invisible air
 between here and the hillside a month ago
 drifts through my head,
a moment of remembered attention.

The sound of paws on the floor wakes me: here I am.
Wordless, I pat my thigh to inform and invite my blind cat.
He reacts to the hidden actions and possibilities in sounds,
and knows what happens to my lap when I stand up.

Music & Silence

Breathing. This is the sound I hear of oceans and wind, of expansions and contractions. Releasing whispers. Releasing sighs. When I teach, I most often use music as a way of shifting the orientation of my students away from the external world and into their own energy lines and their own bodies, yet music remains external. It is like a prop that helps extend your spine by lifting your hand on a block, the music disappears and reappears when you need it. That is, if it is doing what I hope it is doing. Music can work against the inner rhythms at times, a mood introduced with words or associations that is distinct from the practice. Yet often a person will not even know what the music was during a class, and simply flow along. There is so much going on, after all.

Yet practice in silence is so deeply tuned to the breath in the body, that I begin to wonder how we ever practice with music at all. The sounds of others breathing can be more powerful and supportive than the music, encouragement to deepen, to let it go, and to feel less isolated. Of course sometimes those exotic sighs from across the room will be distracting! Or that particularly vibrant Ujjayi sound will introduce doubts about one's own quiet waves...

I am not one sided on this, and find music in classes can bring flow and sustain effort, ease tension and even tease out humor in a tough moment. But I am not listening to the music as I teach. Truthfully I hear it when it distracts me, when it intrudes into the silence. I feel it settle the students into the closing asana as we prepare for Savasana, and then I want deep quiet for them.

Fear of the Compassionate Heart

my brother, as sketched by my father 1992

I woke up this morning flooded with softness, like the soft rainy day itself, holding thoughts of my cousin and her daughter in my heart. Before I even opened my eyes, my heart had melted. It felt as though waves of love could be sent to surround their eyes, their arms and hands, their words,  the spaces in which they moved their bodies. There was no reason why these two women should be in my mind at all, and in fact I haven't seen my cousin  in more than a year and a half, and have never met her 20+ year old daughter. They have been locked in a struggle for many years with debilitating psychological and emotional issues that have trapped them, literally, in the house, isolating them from social and emotional lives. Though my cousin goes to work, she can do nothing else; her daughter so fearful at all times that she forbids her mother from even allowing anyone to come to the house.  For more than 10 years this situation has been kept close to the vest, and I had no inkling of it. I saw my cousin so rarely, and she seemed to be connected to her work and always warm and kind towards me. My older sister maintained contact with this cousin since childhood as they were closer in age. A few months ago, my sister described this situation to me, detailing her observations and all the suggestions she had made, positing therapeutic strategies, all with a sense of hopelessness and sorrow.

Suffering.  There it is in a neighbor, a friend, a relative, in ourself. The urge rises to help, do something, fix something, give advice. A feeling of helplessness and sorrow washes in, an ocean of uselessness. Anger and frustration take hold, driven by a desire that conditions be changed, people behave differently, understandings shift, problems be solved.  Judgments and assessments abound. So imperfect, the situation or the self; so unsatisfactory, the conditions or the choices.

We all know how it is to stand in one place, take in the view and begin defining everything by what we see there. So it is with suffering.  We take a look at it, perhaps even a long look, and that view begins to settle into all the shapes of our feelings and reactions, our ideas and our behavior.  In any relationship, we can see the patterns of response and the collaborative nature of our view and our actions and feelings.

What if there is no action to take? How do we open ourselves to simply acknowledge without judging and hold the depth of the hurt, sorrow, anger, frustration or pain of the situation? What would happen if we could actually just allow the entirety of it (that pattern or story or set of conditions) to open up in our awareness, to be truly seen - the sheer pain of it might be unbearable, debilitate us or drive us over the cliff! It might show us how powerless we are, or ignorant or just hurt too much.  It can be very frightening to let the truth in, precisely because there might not be anything we can do about it.

This is fear of our own compassionate heart. As in a sitting meditation when for a split second there are no boundaries to the self, it can be so liberating that we react by grasping for our defined self to reassure ourself that "we exist" as we have always thought. What if it is truly so that our existence is a series of structures that we have built with conditions and reactions and once seen as separate from our basic being we are free? It can take a while to see that grasping at our definitions is something we can let go, and allow the feeling of grasping to be seen but not be in charge of defining us. This is a practice of learning to abide, to hold that vast open sense of being.

Holding my cousin and her daughter in my heart with compassion, I go through the same sequence -- feeling myself grasping at what action to take, how to convey my thoughts or advice, even simply figuring out how to show my cousin that I care about her -- and allow myself to let all that go. It takes practice to open the compassionate heart without attachment to outcomes, or assigning responsibilities. For me, perhaps especially as one who has been responsible for taking care of other people, there are knee-jerk reactions in that direction and fears of what taking on those responsibilities could be for me. I watch myself worry over what might happen if I showed my open heart -- how much more pain might flood in! It is at that point when the boundaries vanish, and all my thoughts, reactions, judgments and fears can be seen for the conditioned patterns that they are, not rooted in this moment and not attached to compassion itself.  It cannot hurt me to open my heart, the source of the pain is not my compassion.

Perhaps I truly do wish that the situation was different for my cousin and her daughter. I surely wish they could escape from the trap that cages them away from what looks like happiness and a full life. My discomfort with the pain of others' suffering stems from my own ideas about suffering and my definitions of who I am and what I ought to do to alleviate that suffering. It is by overcoming the fear of my own compassionate heart that I can offer a truthful place for my own feelings, and a healing space for the suffering of others.

Sentimental, Objects Gripping the Heart

My shelves are full of books I haven't read in years, yet as I consider them, they seem to represent my life, my experiences, my hopes, and so many stages of my growth. Less personal than diaries perhaps but in some ways just as revealing, my bookshelves really carry weight. Literally. How many have I given away, or traded in at second hand bookstores?  Like the changing seasons, I change the flavor of my reading-in-progress pile, but for the most part the shelves stay the same. I am attached to them even though the vast majority of these books simply collect dust.

A dear friend gave me this book. I read this one in the middle of a hard winter in my sophomore year at college. These were my introductions to the existence of Japanese writings; these to the deep currents in Russian literature; these to the lyrical qualities in English poetry; these to the myths and stories that form  gender awareness, this was important in my pursuit of yogic practices. These were my grandfather's. This, from my uncle's shelf. These were my children's favorites once they began reading. Here is that poet whose name I never remember, and then this one that my husband gave me ... on and on.

I stare at the bindings and allow whatever is evoked to arise. Not quite ready to clear these shelves though I've traveled and lived elsewhere without them. I can conjure up the same feelings simply by thinking about them. How much weight must I carry to hold moments of memory,  feelings about people, ideas of myself in times past? This tiny tee shirt that my son outgrew 23 years ago is still folded in the back of a drawer in a room where he no longer lives. Four delicately cut glasses, that once belonged to my husband's grandmother, stand in the back row of my kitchen shelf. They are designed for some specific drink that I can't identify and yet I feel the tug of his childhood memories. There's that little dish tucked into a top drawer of my own dresser, the small shallow ceramic where my mother once deposited tiny sea shells and beach stones.

This poignant remembering does have such a richness, like a special caramelized sauce, heated by the heart, and sweetened by memory.  I can pour it liberally over anything, anywhere. The senses respond, the emotions rise. On the one hand my experience seems deeper, but in truth, it is a repeat of a pattern of responses. And yet all of this is fantasy, just my mind making a story for me. These objects, books, even ideas, can trigger memories that are pleasant or unpleasant. Essentially I can use them or not in this way, making choices about how I remember something or use my feelings to influence this moment in my life. Do I want to spend my time in a web of reaction, replaying feelings and a story line that might change or harden with time, or can I free myself from this layer of attachment and be present now?

It seems the sentimental object is a small trap.  Once I see it, I can step around the quicksand or jump in with both feet. Having this choice definitely loosens the grip of reactivity on my feelings and behavior, and frees me to see more than that one story, understand beyond the repeated pattern, and be present. I love reading a book more than once, discovering it anew,  not measuring how much I missed or forgot, and yet savoring the familiar. I do not try to relive my earlier experience of reading that book, but allow myself a fuller, layered experience of it. It is not a sentimental journey but a new adventure.