There is a point in March when looking around the garden and yard feels overwhelming to me. Cleaning up from the winter, re-establishing garden in the midst of the wild fields, raking the driveway gravel out of the grass, starting all over with the process of nurturing plants and watching them become food for other wildlife, tackling the ever shifting vagaries of vegetables that thrive and succumb to the myriad issues of weather, soil, attention and bacteria... Well, it feels like more than I can stand. Alone I cannot prune all the trees, dig out those rocks, re-form the raised beds or even haul all the brush. So there are relationship matters to accommodate in my spousal partnership, allowing the priorities of both parties and energy levels of each of us to be thoughtfully and non-judgmentally considered.
And then there is that moment in early April when we can watch the dry brown grasses greening up over the course of three days of sun and slightly warmer nights. All this and the compost pile is still frozen.
Still, in January I begin to contemplate the vegetable plots and their rotations and by February and early March the seeds arrive. They sit and wait patiently in their envelopes, just as I go through this churning of helplessness and interpersonal negotiations. Then, as trees bloom in warmer climates and all the yards in New York City begin popping with color and fragrance, the little corner of upstate New York begins to awaken too. Where my garden lies is in the shadow of a north facing hill, and once all the snow and ice is gone, the cold soggy earth starts sorting itself out. The birds return and start house hunting. Just putting out the bird houses is an act of faith in the dark days of March.
Though I have not yet been able to turn the soil, I must pile all the earth to the middle of the beds because the wooden forms around my raised plots have rotted after so many years. By the next week, there is new wooden framing, the plots have been turned, and yesterday the onions were planted alongside the now 8" tall garlic greens. My pants are filthy, hanging over the laundry basket waiting for me to put them back on for this morning's plunder of the thawed section of the compost pile. My garden maps have been redrawn to make room for the arugula, spinach, lettuce mixtures, radishes, snow peas, sugar snaps, little shell peas, carrots, chard and beets. Packets of seeds sit in my basket, still waiting for my clumsy gloved fingers to open them in the bright sun and cold wind.
For the last two nights I have woken as the waxing full moon set across from the rising sun glowing behind the hill. My tired muscles slightly regrouped after the night's rest, I am filled with joy at the prospect of another few hours laboring to welcome the seeds into the dirt we have prepared for them.
This is the practice. Seeing what is so and accepting that all of it is connected. Developing the ability to abide: patiently acknowledging while not judging the tough times, diligently putting in the effort as one must, but softening as one can; welcoming the joy that arises from the dirt with full knowledge that not all the seeds will thrive and some will produce splendor to share even with unwelcome guests. We are not separate from this ever-shifting inner and external see saw. It is the practice that gives me balance and equanimity. Now to put on those mud-shoes and get the morning job done.
Showing posts with label balance. Show all posts
Showing posts with label balance. Show all posts
Sunday, April 28, 2013
Friday, April 12, 2013
Asana & Mind: Twisting as a State not an Action
Don't we imagine that the goal is to twist as far as we possibly can? Of course we all begin with striving and measuring how we think we do in relation to images in our mind or presented by the bodies next to us. The next stage is our effort to identify what is happening and how it happens and in doing that we get attached to the specifics like pressing into the thumb and index finger in downward facing dog or focusing on drawing the left ribs towards the back body or towards the ceiling in a spinal twist. But these are not the goals nor are they really the pivotal mechanisms in that down dog or spinal twist, warrior or headstand. We can only find our way once we see where it is in our self that yearns and overworks, where our energy disconnects or pools, and how our judging mind blocks our path and builds our habitual patterns. Yes, there is a building of familiarity with how the body works, and our own body in particular, but the twist is more about opening the mind, than seeing the room behind you.
Beginning, we open our attention to new places in the body and experience our own efforts with both wariness and awareness. Once we feel the outer edge of that foot in a standing pose and discover the internal shift it takes to feel the inner heel at the same time, we can stop focusing on that and begin to follow the line up the body, balancing the pelvis between the legs, then drawing the energy up the legs and in towards the pelvis and then moving our awareness from place to place, adjusting the fulcrum of our attention and effort. In beginning we must activate an acuity of attention and forge a balance in our awareness and effort.
Then we let that go. We are not perfecting a particular pressure of foot or angle of hip. We are not drawing the ribs around the body to create torque in the spine and a sore ribcage. More effort is not the goal nor does it produce bliss. Even worse than our habitual patterns might be replacing them with over efforting and rigid assumptions. In this process we can learn about inquiry, about our actions, our urgencies, and our minds.
Effort is required of the mind to observe and attend to the body in any moment. Effort is also required in the body to bring the mind into an alert and informed state. It is at this point that spaciousness and ease can enter the practice. The equation shifts when we allow the body to relax into a posture of supported effort and the mind to release judging and adjusting that effort and begin to explore being in a pose. It is this quality of being that opens the box of possibilities.
It is this moment that may be missed if our practice requires constant motion and use of effort to keep going. though we may burn through resistance of one kind we may be catering to habitual patterns of resistance too. We can build muscular and cardiovascular strength and cultivate intimacy when we let go of the constant physical negotiation for deeper, harder, or really just more. In the silence of being in a pose, we find our breath, we can use the mind to soften the fierceness of the body. By opening ease in the midst of all the effort we begin a new adventure of adeptly holding a posture without continuing to "work" on it. Then the work is in the energy, breath, and awareness, supported by mindful conscious alignment of bone and muscle.
At a certain point in the twist it is important to let go of the act of twisting and experience the support and clarity of being twisted.
Monday, February 25, 2013
Nowhere To Go But Here: Building the Mindfulness Muscle
Waiting for the light to change, I stand at a busy intersection. My eyes take in the moving vehicles, but not with any great detail. The wind blows and I notice my right eye waters as I see a person crossing the other street. My backpack is empty on my back and my grocery list is tucked in my wallet. I am on my way to get fresh vegetables and walk a little. Where am I? Nowhere. My attention drifts to whatever caught it, my mind runs a disjoint movie without even bothering with subtitles. My body sends messages like, "wind on spot of neck by left ear" and "right eye running," provoking little habitual behaviors of scarf tucking and cheek wiping. Is this the way I am to live my life?
Can I be fully present in the world without adding more stress and assignments, more to-do lists and self recriminations? Can I shift my way of operating out of automatic without wearing myself out? Can I cultivate awareness even in the middle of the patterns and routines that naturally fill a good bit of my time? Can I be here without being swept away in mindless flow of reactivity?
Definitely. I may be nowhere, but I can still exist fully. This includes finding that level equality in my hips, or allowing the weight to fall on the outer and inner heel more evenly. This may mean returning again and again to the sensation of my breath to remind me that I am exchanging energy with a much larger universe every second of my life. It involves building the muscles in my mind as well as enabling the body to find its balance. Emotional equilibrium can grow naturally out of accepting the ever present continuous support for being who we actually are, once we let go of judging and manipulating our ideas of who we are supposed to be, based on some fixed experience in the past or anxiety over some potential hypothetical outcome.
How much of my time I will spend in this suspended reactive condition is directly related to how much attention I give to cultivating my awareness. It can so easily begin with noticing my breath as I wake up, even before I open my eyes, allowing the breath to shape the inner spaces of my rib cage, and sensing that this energy moves into my hips and legs, before I begin moving. I can savor the resistant texture of the strawberry as I cut it into bits that drop into my morning oatmeal.
What purpose is there in losing this moment and the next moment until I stumble on something and wake up to the fact that I've walked half a block without seeing anything or being anywhere? I'm not seeking a hyper-vigilance, or high intensity. Gradually, over time, this cultivating of awareness brings more and more of life into the normal routine, so that I can accommodate loss and exhilaration with the same foundation under me, landmarks to orient me, and an attitude of acceptance and openness.
This is where the practice takes us when we commit to building the muscles of mindfulness. Just like in a physical asana practice, the stronger we become, the deeper we can go -- holding an asana longer and allowing the strength and stretch, the energy movement to flow more openly and inner spaces to accommodate more freedom with less effort. If we set the goal to get to a certain shape or heal a certain wounded place, we can work up to that and then get stuck all over again in judgment and mindlessness. We have no choice but to deal with the moment. This one. There is nothing to wait for, nowhere to go but here. Getting here is the journey, being here is the deepest benefit.
It's fairly easy to feel the shaking of the soles of your feet as you struggle to resist falling out of balance and be filled with anxiety about falling, judging yourself, clenching the breath, tightening myriad muscles of neck, shoulder, and throat in fear. It is just as easy to feel that same shaking as finding your balance, liberating your breath, softening your shoulders, stacking your bones to more efficiently transfer weight and explore how to let go of judgment in order to lessen your load and feel weightless and free. Whether making the routine motions of daily life, crossing streets, making oatmeal, sitting at work, interacting with others, or sitting on a meditation cushion or shaking in a balancing pose on a yoga mat, you can gently encourage your mindfulness muscle, when you remember it. That's why the breath is so useful... it is always there to remind you that you are right here, already.
Can I be fully present in the world without adding more stress and assignments, more to-do lists and self recriminations? Can I shift my way of operating out of automatic without wearing myself out? Can I cultivate awareness even in the middle of the patterns and routines that naturally fill a good bit of my time? Can I be here without being swept away in mindless flow of reactivity?
Definitely. I may be nowhere, but I can still exist fully. This includes finding that level equality in my hips, or allowing the weight to fall on the outer and inner heel more evenly. This may mean returning again and again to the sensation of my breath to remind me that I am exchanging energy with a much larger universe every second of my life. It involves building the muscles in my mind as well as enabling the body to find its balance. Emotional equilibrium can grow naturally out of accepting the ever present continuous support for being who we actually are, once we let go of judging and manipulating our ideas of who we are supposed to be, based on some fixed experience in the past or anxiety over some potential hypothetical outcome.
How much of my time I will spend in this suspended reactive condition is directly related to how much attention I give to cultivating my awareness. It can so easily begin with noticing my breath as I wake up, even before I open my eyes, allowing the breath to shape the inner spaces of my rib cage, and sensing that this energy moves into my hips and legs, before I begin moving. I can savor the resistant texture of the strawberry as I cut it into bits that drop into my morning oatmeal.
What purpose is there in losing this moment and the next moment until I stumble on something and wake up to the fact that I've walked half a block without seeing anything or being anywhere? I'm not seeking a hyper-vigilance, or high intensity. Gradually, over time, this cultivating of awareness brings more and more of life into the normal routine, so that I can accommodate loss and exhilaration with the same foundation under me, landmarks to orient me, and an attitude of acceptance and openness.
This is where the practice takes us when we commit to building the muscles of mindfulness. Just like in a physical asana practice, the stronger we become, the deeper we can go -- holding an asana longer and allowing the strength and stretch, the energy movement to flow more openly and inner spaces to accommodate more freedom with less effort. If we set the goal to get to a certain shape or heal a certain wounded place, we can work up to that and then get stuck all over again in judgment and mindlessness. We have no choice but to deal with the moment. This one. There is nothing to wait for, nowhere to go but here. Getting here is the journey, being here is the deepest benefit.
It's fairly easy to feel the shaking of the soles of your feet as you struggle to resist falling out of balance and be filled with anxiety about falling, judging yourself, clenching the breath, tightening myriad muscles of neck, shoulder, and throat in fear. It is just as easy to feel that same shaking as finding your balance, liberating your breath, softening your shoulders, stacking your bones to more efficiently transfer weight and explore how to let go of judgment in order to lessen your load and feel weightless and free. Whether making the routine motions of daily life, crossing streets, making oatmeal, sitting at work, interacting with others, or sitting on a meditation cushion or shaking in a balancing pose on a yoga mat, you can gently encourage your mindfulness muscle, when you remember it. That's why the breath is so useful... it is always there to remind you that you are right here, already.
Saturday, September 1, 2012
Midday Traffic: A Lesson in Equanimity
Driving down Flatbush Avenue in Brooklyn on a repair errand, heading towards the neighborhoods that reach the sea. Double parked trucks and cars, impatient zoomers tucking in between the obstacles and cutting back into the reluctantly single lane of barely moving traffic. The bus here and there, lumbering in and out of the current; slow heavy construction vehicles grinding along methodically avoiding left turn lanes and thereby blocking everything else. A very hot day it was too, the sidewalks crowded with people from nearly every nation on earth. What a heavenly enterprise! Imagining that I could take the short time between my teaching commitments and get this thing done!
When I felt a sense of time rise up, it turned into an endless hot open field. As a low slung car with Pennsylvania plates cut back in front of me for the third time, I burst out laughing. This driver is staying busy, I thought, moving in and out as if they are getting ahead, yet every time they end up right in front of me in my sluggish journey, steadily heading towards that specific authorized local repair shop on Quentin. Any tension about my schedule shuts down my energy and my sense of good humor, so I let it go, figuring that I made this decision well informed and with every chance of success. Anxiety about the light changing to red before I get to it closes off my good will, which I feel towards the small car in front of me full of chatting young women. Why waste my time on that? I have watched them try once to get around the dump truck and ended up back in front of me. Eventually we both made it around that truck. They are occupying themselves with each other's company, so I choose to enjoy that too. Why worry about traffic lights as we wait for the green light in tandem?
When I take a revolved balancing posture in my practice, I know that my energy lines must be open in the same way as when I drive down Flatbush Avenue in mid afternoon. Ready for anything, steady of purpose, good humored about the flailing or throbbing or whirling outliers of body, mind and context. Keeping my energy openly flowing in all directions, without judging the wobbly foot or the tangled gaze, I can find spaces in my spine as I twist, and in my mind as I watch where the struggles arise.
Noticing that impulse to want the light to remain in my favor is the same as noticing that I want my left hip to allow the same twist as my right. It might, but the desire for that only clogs up my energy and shifts my focus from being fully present. I am much more likely to lose the integrity of my spine or my footing as I reach for conditions, or for judgment or for outcome. This turning of my inner focus towards equanimity happens all along Flatbush Avenue, and throughout my yoga asana sequence. The depth of the practice is what allows me to have good will towards what is happening, and to choose where to turn my focus, keeping my attention on opening my energy, noticing where it gets caught up. So from Flatbush I find myself turning onto Quentin, and in my practice, I hold steady with energy flowing towards foundational support and endless possibility.
When I felt a sense of time rise up, it turned into an endless hot open field. As a low slung car with Pennsylvania plates cut back in front of me for the third time, I burst out laughing. This driver is staying busy, I thought, moving in and out as if they are getting ahead, yet every time they end up right in front of me in my sluggish journey, steadily heading towards that specific authorized local repair shop on Quentin. Any tension about my schedule shuts down my energy and my sense of good humor, so I let it go, figuring that I made this decision well informed and with every chance of success. Anxiety about the light changing to red before I get to it closes off my good will, which I feel towards the small car in front of me full of chatting young women. Why waste my time on that? I have watched them try once to get around the dump truck and ended up back in front of me. Eventually we both made it around that truck. They are occupying themselves with each other's company, so I choose to enjoy that too. Why worry about traffic lights as we wait for the green light in tandem?
When I take a revolved balancing posture in my practice, I know that my energy lines must be open in the same way as when I drive down Flatbush Avenue in mid afternoon. Ready for anything, steady of purpose, good humored about the flailing or throbbing or whirling outliers of body, mind and context. Keeping my energy openly flowing in all directions, without judging the wobbly foot or the tangled gaze, I can find spaces in my spine as I twist, and in my mind as I watch where the struggles arise.
Noticing that impulse to want the light to remain in my favor is the same as noticing that I want my left hip to allow the same twist as my right. It might, but the desire for that only clogs up my energy and shifts my focus from being fully present. I am much more likely to lose the integrity of my spine or my footing as I reach for conditions, or for judgment or for outcome. This turning of my inner focus towards equanimity happens all along Flatbush Avenue, and throughout my yoga asana sequence. The depth of the practice is what allows me to have good will towards what is happening, and to choose where to turn my focus, keeping my attention on opening my energy, noticing where it gets caught up. So from Flatbush I find myself turning onto Quentin, and in my practice, I hold steady with energy flowing towards foundational support and endless possibility.
Labels:
acceptance,
asana,
balance,
being present,
conditional nature,
equanimity,
expectations,
focusing attention,
humor,
obstacles,
perception,
reactivity,
resistance,
stress reduction,
yoga off the mat
Wednesday, August 22, 2012
Balance & Politics: Finding a Leg to Stand On
Oh the politics of the moment are such fertile ground for my practice!! Watching the pingpong ball fly back and forth between angry outraged entrenched political adversaries just tempts my blood pressure and old habits to rise to the occasion. How to find center, that ground upon which I can stand and see clearly that the intentions on all sides are fundamentally emerging from well meaning impulses, and get beneath the superficial slapdash untruths to the kernels of fear and control that shape political policy and so often public opinion and beliefs. Just try standing on one leg to get in touch with that combination of fear and desperate desire for control.
There is a moment of fear for all of us when we take one foot off the ground. Funny that every step we take requires that one foot lift off, and with practice and experience we begin to have confidence that momentum will carry us forward to the next step. On stairs too, or stopping in mid step to change direction, we must get through that moment before touch down. Sometimes we choose not to notice that moment. In my yoga teaching I call attention to that moment, making it mindful, cultivating awareness of the great possibilities that are already within us to let go of the fear-based pattern, and judgments -- allowing the reality of the moment through.
In asana practice, we seek the source and structure of balance, the foundation that supports that lift so that it is no longer mysterious. We find our muscles and bones, we widen our hands and feet on the earth, we stretch through the binds and open where we thought we were closed. It is still scary. The mind can create the scenario in a split second, without words or threats. The body reacts to the intensity of risk and effort; our self image is on the line. The foundation holds steady, and the breath, with mindfulness, continues smoothly expanding and releasing. Perhaps we experiment with ankle rotations, or lifting that leg and straightening it, or propping it against ourself, foot to inner thigh. The permutations of balance become endless once we find that center. In reality there is freedom where in the grasping for control we lose our foundation. This is the difference between standing on one foot and standing in fear of falling off our self made pedestal.
Still, this is a solitary pursuit. One body, one mind, working closely with faith and memory to maintain equilibrium, dwell in equanimity, experience openness and find the possibilities. Creating a social environment that fosters this ability in others, no matter where they stand, now that would get my vote in a flash. Not that yoga practice will necessarily change one's politics ... but at least there's the opportunity to be clear from whence our motivations arise for the impulses to run the lives of others with rules of our own making.
Wednesday, July 4, 2012
Stuck on the Details
Irritation lives in the details. Admiration can also. Mostly it seems humans vacillate between micromanaging and the gross motor equivalent of emotional responses. It is that tiny splinter, or those dirty dishes in the sink, or that little chocolate on your pillow that triggers the focal point, but then the whole system kicks into gear around it.
I love this image because for me it is nothing and everything all at once. It doesn't represent any thing, yet is directly derived from something specific. It evokes many emotional and visual possibilities for me, yet remains undefined in purpose, place or object. It is actually a close up of a painting by Jeff Zilm that I saw at a recent art opening in Brooklyn. I'd never heard of him, having gone to the show to support a young artist I've been following since he was in undergraduate studies with my son. Amid the roar and heat of that boisterous opening crowd, the first thing that caught me like a spider in a web, was this quiet intricate flat work. From there, from this morsel, I was able to open to the other works, the dense noisy crowd, the artists and their brave show of art in the world: Detail as diving platform.
In yoga teaching it falls to me to cover minutiae and grand scale, to introduce the whole body-mind interaction of balance by drawing your awareness to the weight in your heel, for example. Yet I will warn you away from thinking too much about that heel, from getting stuck on the formula of sticking to that detail, and advise you to notice occasionally to feel your weight in your feet, to feel your feet on the earth (okay, really the floor). Broadening that out into how you notice this foundational support and your relationship to it, and when you notice that, developing your awareness of this interplay can shift the way you operate in daily life. Now that's a very big picture.
The idea of single pointed focus is a way of training the mind, not so much to see that specific detail to the exclusion of everything else, but really to enable the honing of attention without blocking everything else out. Noticing that you do or don't feel weight in your heel can help you develop a more complete sense of balance and understand what might be happening with your body's alignment to set you off balance. This can lead fairly quickly to discoveries of all kinds. Taking this into a different context, what would happen if the next time someone irritated or disappointed you, you could see that act clearly in a broad context. If you could hold that focus and be aware of the larger sense of that individual person, the structure of the situation, what you brought to it with your own expectations, the set up of the scene that put the two of you where you are now, the background and history of that relationship, and an idea of the potential for growth and sharing that exists in that moment ... well, you get the idea. It reduces the likelihood of a knee-jerk reaction, and lessens the interest in grasping at that detail, providing a different kind of opening for both of you to respond. Perhaps the insight of what you expected in the first place will give a view of yourself, and a relationship of how that person attempted to express themselves or meet your needs will begin to emerge. Perhaps an insight into the history of your reaction will enable a shift from what you thought to what is actually so.
Does it matter whether you feel your weight in your heel? Stand up and play with that for a minute, focusing on it as the center of an endless concentric field of experience and awareness. Well, that's you being here, using the detail, but not stuck on it.
The Fourth of July brings this idea into a new realm for me. It is awesome that many years ago several groups of settlers decided to hash out enough details to come up with a grand plan for functioning as separate and uniquely equal parts in a common structure for a greater common good. The details can be argued, and we know that many human and other beings were left out of this idea of equality and security. In fact, the majority of human beings living in this land at that time were left out. Women, children, native people and people from other parts of the world who were not directly descended (and even some who were) from the Western European male lineage were not included as sharing equally, but as property or less than human, accorded varying levels of disrespect for health and wellbeing. It has been a long time of working beyond some of those details, and using the framework established in those days has been both a benefit and a detriment.
So I celebrate with a focus on the central core of goodness and possibility in that action, actively working to see the fullest array of what we have here in this country without attaching judgment to it, and hope for growth in our global and individual view of humans on earth. It is not always easy to get beyond sorting out where I feel the weight in my own feet, and surely that awareness of balance must come first, but I do have hope for balance beyond that.
I love this image because for me it is nothing and everything all at once. It doesn't represent any thing, yet is directly derived from something specific. It evokes many emotional and visual possibilities for me, yet remains undefined in purpose, place or object. It is actually a close up of a painting by Jeff Zilm that I saw at a recent art opening in Brooklyn. I'd never heard of him, having gone to the show to support a young artist I've been following since he was in undergraduate studies with my son. Amid the roar and heat of that boisterous opening crowd, the first thing that caught me like a spider in a web, was this quiet intricate flat work. From there, from this morsel, I was able to open to the other works, the dense noisy crowd, the artists and their brave show of art in the world: Detail as diving platform.
In yoga teaching it falls to me to cover minutiae and grand scale, to introduce the whole body-mind interaction of balance by drawing your awareness to the weight in your heel, for example. Yet I will warn you away from thinking too much about that heel, from getting stuck on the formula of sticking to that detail, and advise you to notice occasionally to feel your weight in your feet, to feel your feet on the earth (okay, really the floor). Broadening that out into how you notice this foundational support and your relationship to it, and when you notice that, developing your awareness of this interplay can shift the way you operate in daily life. Now that's a very big picture.
The idea of single pointed focus is a way of training the mind, not so much to see that specific detail to the exclusion of everything else, but really to enable the honing of attention without blocking everything else out. Noticing that you do or don't feel weight in your heel can help you develop a more complete sense of balance and understand what might be happening with your body's alignment to set you off balance. This can lead fairly quickly to discoveries of all kinds. Taking this into a different context, what would happen if the next time someone irritated or disappointed you, you could see that act clearly in a broad context. If you could hold that focus and be aware of the larger sense of that individual person, the structure of the situation, what you brought to it with your own expectations, the set up of the scene that put the two of you where you are now, the background and history of that relationship, and an idea of the potential for growth and sharing that exists in that moment ... well, you get the idea. It reduces the likelihood of a knee-jerk reaction, and lessens the interest in grasping at that detail, providing a different kind of opening for both of you to respond. Perhaps the insight of what you expected in the first place will give a view of yourself, and a relationship of how that person attempted to express themselves or meet your needs will begin to emerge. Perhaps an insight into the history of your reaction will enable a shift from what you thought to what is actually so.
Does it matter whether you feel your weight in your heel? Stand up and play with that for a minute, focusing on it as the center of an endless concentric field of experience and awareness. Well, that's you being here, using the detail, but not stuck on it.
The Fourth of July brings this idea into a new realm for me. It is awesome that many years ago several groups of settlers decided to hash out enough details to come up with a grand plan for functioning as separate and uniquely equal parts in a common structure for a greater common good. The details can be argued, and we know that many human and other beings were left out of this idea of equality and security. In fact, the majority of human beings living in this land at that time were left out. Women, children, native people and people from other parts of the world who were not directly descended (and even some who were) from the Western European male lineage were not included as sharing equally, but as property or less than human, accorded varying levels of disrespect for health and wellbeing. It has been a long time of working beyond some of those details, and using the framework established in those days has been both a benefit and a detriment.
So I celebrate with a focus on the central core of goodness and possibility in that action, actively working to see the fullest array of what we have here in this country without attaching judgment to it, and hope for growth in our global and individual view of humans on earth. It is not always easy to get beyond sorting out where I feel the weight in my own feet, and surely that awareness of balance must come first, but I do have hope for balance beyond that.
Tuesday, March 20, 2012
Rumi "Two Wings"

Observe the qualities of expansion and contraction
in the fingers of your hand:
surely after the closing of the fist comes the opening.
If the fingers were always closed or always open,
the owner would be crippled.
Your movement is governed by these two qualities:
they are as necessary to you
as two wings are to a bird.
from the Mathnawi III, 3762-66
edited by Kabir & Camille Helminski
Tuesday, March 13, 2012
Consider the Pearl, A Meditation

Swaying between the pulling tides of hope and fear,
we balance.
Our weight on the earth,
sitting bones softening deep into the support beneath
the spine, spacious and rising into the endless sky.
Allowing the jaw to loosen, even
the muscles in the shins go slack.
We balance the weight of the head
over the beating heart.
Consider yourself a pearl lost in the grass.
You sitting here.
Your skin a container for your inhale,
your shape ever changing.
Consider the pearl lost in the grass.
Like the dew drop resting on a leaf,
its membrane like a skin,
its clarity and translucence, ever reflecting.
We balance between hope and fear,
between the earth
and the endless sky.
Between the pearl's luminous solidity
and iridescent illusion of the dew.
Saturday, October 22, 2011
Being: A Balancing Pose of Bones & Breath

Lately I've been balancing in an open space, where ego defines the self and awareness enables no self. It has been hard to rationalize writing in this blog, as though I hold some kernel or seed, acting to share its potential and growth by posting in cyberspace. This tends to lean a little too far towards ego and I lose my balance. Yet I seek experience in my body -- the practice of yoga, the making and eating of meals -- to validate an existence that is totally normal and real and designed around accommodating ego. Then I meditate and sometimes lean a little far into no self, finding a vastness continues to open that is still unfamiliar and surprising.
The temptation to meditate is leading me towards compassionate action as well as withdrawal from the senses. Walking, teaching, studying, interacting, I can operate from vital energies emerging from that vast open space. But I remain an individual ego - opinionated, full of feeling, clutching at experiences and reveling in reactions.
In these days of lengthening darkness, I cherish those boundary moments when deep awareness saturates, and there is no understanding at all of a defined named sort. Dawn and dusk seem to embody this sensation even as the brightness of day and the layered shadows of night thrill me. I continue to revisit the moment in the hospital when my father and I mutually arrived at the boundary between his living and his dying. It was wide, vast, endless and precise. Universal and personal. Everything was present - fear, love, unknown and known, hope, grief, but the deepest sense was vastness and utter connectedness.
So I've neglected the blog. This has also been clarifying since I let go of defining it. I have been keeping a journal of notes that speak in words - telling of experience or observation or feeling or idea. Journal perhaps acting the role of non-judgmental, all-accepting intelligent parent. Journal as wise, kind, compassionate teacher. Journal as interested and disinterested, informed companion. Not much influence on what arises, the blank or scribbled open page.
Thursday, March 10, 2011
Finding What Supports You

When I say, "allow your feet to soften into the earth," it might sound like gobble-de-gook or hocus pocus until we begin playing with the way we actually use our feet. This shift in attention brings a level of understanding that can help with balance, with organizing your bones above the earth in ways that help transfer weight without stressing joints, and also lightens the load even in an emotional sense. First we try the communication system between the feet and the brain. Are the signals getting through in both directions? It's good to let yourself laugh when that little toe just doesn't hear you, or when the ball of the foot rises instead of the toes. As with any relationship, humor can help a lot as we gain an appreciation of the other's point of view.
In any posture, whether doing yoga or not, you can explore the grounding of your body. It isn't always your feet either, sometimes it's your sitting bones below you, or the angle of your pelvis that help settle you so that your spine can follow its natural rise. Investigate the way the bones rest on the earth -- exploring while laying down on your back for example, you can just notice the way your breath lifts and releases you and discover exactly which parts of you are touching the surface below you. Cherish this discovery of how your spine works, and allow your attention to follow the breath as it gradually releases tensions and more of your body can relax into the support below.
Standing you can do the same thing while gently leaning your weight into the inner edges of your feet and then the outer edges. What does that mean? Well, can you feel any weight in the inner side of your heel, or do you tend to feel yourself resting on the outer edge? Perhaps more of this than that in one or the other foot? Just find out. Try bending your knees slightly and feel the weight naturally seep into the heels, stretching the front thigh into the hip socket a little can do the same thing -- draw your attention to this and play with it. It may feel like you will fall over, but relax into it with a little shake, a little boogie woogie, and then settle back into it.
Once your communication lines are open, you can really draw energy up the legs from the earth; you can relax into your seat and feel an energetic lift in the deep core muscles; you can ease the shoulders down your back upper rib cage and feel your ribs freely floating over your hips.
If you find the support below you, you can rise lightly and feel freedom in the joints as well as the mind. Give it a try. Focus on it for a moment, whatever posture you're in! The deeper support will become evident once you allow the exploration to begin with the surfaces of things.
Thursday, November 25, 2010
Gratitude without Measure

No need to pile up the gifts or the blessings, marking the gains.
No need to sort the losses, the wounds, the sorrows, noting the missing.
No need to reach beyond the moment into memory or projections of what might come.
No need to fight despair, or grasp for happiness.
Here I am.
Letting go when the time comes.
Cradling with love when the time comes.
Sinking into the earth, or rising to meet the sun.
Here I am.
Or perhaps no longer here.
Not stacking the logs of what has come my way.
Not picking through the ashes of what is gone.
Perhaps there is no difference between that which makes me happy
and that which makes me sad... except the way I respond, attaching
to the idea, my body circuits reacting and flooding me with the chemicals of the moment.
A carrot from our dirt comes,
a walnut from a tree far away,
an apple from the yard, dropped,
a raisin dried from grapes of another season,
bread baked in someone else's oven,
herbs saved from the side yard,
squash found grown in a friend's compost,
cranberries from a New Jersey bog,
oranges from a hill in California,
potatoes from the nearby Middleburgh Valley,
and faces around the kitchen table
made of hope and willingness.
Do we measure this, on which yardstick?
The category of gift or loss? The levels of love or tolerance?
The measuring cup of last year's meal?
I am here, and the greatest joy for me
is the gratitude of this moment.
That I am in this exploration,
human and conflicted,
humble and proud,
loved and loving,
breathing
and not knowing
the next moment
until now.
Friday, November 12, 2010
Sugar Candy: A Beautiful Practice

When someone compliments me, I know they are making judgments, but it is deeply sweet. Just like sugar candy, we so easily learn to crave that sweetness. Beauty is in the mind, a way of appreciating or noticing some thing or attribute, and that has this sweetness too. Like watching a dancer move through a choreography suited to their nature or the musical score, or when the light at 4pm strikes the tree tops just so, or when the breath carries me through Surya Namasakar (sun salutation) from the inside. It is grace made visible.
When I go to different studios, sometimes teachers come up and actually say to me, "You have a beautiful practice."
The first time it happened it was like the candy, a little shock at the sweetness, and that warm melting feeling that comes with pride and ego growing. Then, like steam dissipating, the little sweet droplets began separating on my tongue and I wondered what does this mean?
It happened again today. Not saying it happens all the time, but I am beginning to find that it is not unusual. And I am finding that I can see the candy as the confection it is, without having to eat it.
My practice is simply me, connecting to the energy that the breath brings me, and trying to hear what the teacher is offering me. I can feel clumsy, funny, and smooth. I can find all kinds of things interesting along the path that another teacher is offering me. Sometimes I rebel against a tone or a sequence or an attitude, but when that happens it becomes my practice too. The practice of watching myself judge myself as somehow mismatched to the moment. That is, of course, impossible, since there is nothing else but that moment and obviously I'm right in it! So it is me chafing at being... which more often than not makes me laugh when I see that it is happening.
Actually, now, today, when it happened again, I saw that it was simply the grace of the breath made visible.
So I looked around and wondered if the teacher also saw beauty in the man standing there fighting with himself about balancing, rather than taking an accommodation for his hamstring situation and letting his body rest in balance. Maybe seeing it in that woman folded in child's pose instead of taking a twisted Ardha Chandrasana balance (standing half moon, with opposite hand down). Or could it be seen in the practice of that dancer in the corner with the incredible lines from fingertips to toes, or that young man who was finding new space in his spine while he tried to relax his forehead. Every one of them was beautiful to me, as they searched their souls for freedom in that moment to let the body twist, rise, extend, stretch, deepen, breathe, and be in a most specific way! Willingly, and with concentration, each one of them was expressing grace as it was in that moment, for them, in that body, on that day.
So next time I see a piece of dark chocolate and crave that sweetness melting in my mouth, I will think of grace, and simply take a piece. There is no need to reject the compliment, nor to make any more of it than its intention of appreciation. I'm learning to leave ego out of it, and just be grateful for the flow of grace.
Saturday, October 9, 2010
At the Beginning, Give It a Minute
Vinyasa is great fun and good to get energy circulating. You can work through the breath, move in the flow of energy, stretch and build muscles, surprise yourself and find yourself moved by the sequence of events. Vinyasa in sanskrit, means "to place in a special way." It combines movement, energy flow, and placement. Lots of yoga studios offer Vinyasa flow as a way to release from the constraints of the judging mind and the stagnation of personal patterns, as well as to unblock the lines of energy so that the final cool down and relaxation are that much deeper.
Vinyasa is hard on a body with physical constraints (think Carpal Tunnel issues, tight hamstrings, back trouble or knee replacements), and especially for people who are new to a yoga practice. It can be a struggle to keep up, to find your way, even to get the breath going in and out as instructed. Not knowing what is coming next or how to align oneself can make it impossible to use the prop that protects or enables. That initial scramble can sort out quickly for some, and be a source of serious injury for others. It can feel 'hard" in a way that is not inherently part of yoga. "Hard" in a learning curve kind of way. "Hard" in the "I am not good at doing this" kind of way. The newness of the postures and the constant movement can make modifications tough to figure out, adjustments hard to fit in between the instructions, and understanding of the basic principles a little vague. Of course a good teacher helps with all of this to some degree. For more experienced practitioners, Vinyasa can ratchet up into more and more physical challenges integrated into the flow, pressure to keep up, try the "harder" variations and, occasionally, emphasizes personal expression in the flow that can be more involved with ego than with cultivating nonjudgmental awareness and the foundational breath. Again, good teaching can help draw a student's attention back to the practice and out of the performance of Asana.

Figuring out a posture from the inside takes time. It is very different than learning a series of dance steps. One doesn't always need to be negotiating all the details, yet there are depths of understanding that only come with time, time in the pose. Take a simple pose, like Balasana (Child's Pose). This is very often offered as a "resting" pose, yet is difficult for many people and as with so many Asana, offers a very deep practice. The hip creases are drawing back, pelvis lifting, spine curving; knees are deeply bent, tops of feet press into the floor, while the shoulders are spreading open, the heart widens as it sinks, the ribs center pulling back towards the spine, and the third eye rests on the earth. Breath is into oneself. What's so simple about this? For some, the bend is beyond their capacity in the knee or spine. For others it is the internal quality of breath in the ribs against the thighs, the leaning of the heart inward that brings the emotions forward. Perhaps it is the openness in the back ribs, the breath ballooning over the kidneys that shifts the attention, or it could be simply feeling the earth below you, supporting your shins that lets the tension release from the back of your neck. Where does the mind go? Perhaps it begins with making all the little tweaky adjustments of ankles or shoulders, but if you stay there a minute other experiences begin, and perhaps your attention will shift.
Passing through Balansana for a moment to catch your breath is a wonderful thing too, like that moment when you take your shoes off after being in them all day. But in every Asana there are hidden treasures, secrets about yourself, illuminations about existence itself that come with time, time in the pose. So if you feel you are struggling and thrashing about in Vinyasa classes, give yourself a minute in your own practice or find a class that can slow it down for you. Spend a few breaths -- perhaps starting with 3 -- in each aspect of exploring Asana and your strength, flexibility, awareness and inner sense of alignment will catch up to you. Take that sense of balance back to Vinyasa class and see what a different experience it can be.
As a student once said to me, "There is just so much to think about all at once, including wondering what I am thinking about!" Letting this go, allowing the experience to get beyond thinking into experiencing the moment itself, is possible in one Asana or flowing through a Vinyasa. Try different approaches until you find the one that gives you the time you need to integrate and align yourself safely.
Vinyasa is hard on a body with physical constraints (think Carpal Tunnel issues, tight hamstrings, back trouble or knee replacements), and especially for people who are new to a yoga practice. It can be a struggle to keep up, to find your way, even to get the breath going in and out as instructed. Not knowing what is coming next or how to align oneself can make it impossible to use the prop that protects or enables. That initial scramble can sort out quickly for some, and be a source of serious injury for others. It can feel 'hard" in a way that is not inherently part of yoga. "Hard" in a learning curve kind of way. "Hard" in the "I am not good at doing this" kind of way. The newness of the postures and the constant movement can make modifications tough to figure out, adjustments hard to fit in between the instructions, and understanding of the basic principles a little vague. Of course a good teacher helps with all of this to some degree. For more experienced practitioners, Vinyasa can ratchet up into more and more physical challenges integrated into the flow, pressure to keep up, try the "harder" variations and, occasionally, emphasizes personal expression in the flow that can be more involved with ego than with cultivating nonjudgmental awareness and the foundational breath. Again, good teaching can help draw a student's attention back to the practice and out of the performance of Asana.

Figuring out a posture from the inside takes time. It is very different than learning a series of dance steps. One doesn't always need to be negotiating all the details, yet there are depths of understanding that only come with time, time in the pose. Take a simple pose, like Balasana (Child's Pose). This is very often offered as a "resting" pose, yet is difficult for many people and as with so many Asana, offers a very deep practice. The hip creases are drawing back, pelvis lifting, spine curving; knees are deeply bent, tops of feet press into the floor, while the shoulders are spreading open, the heart widens as it sinks, the ribs center pulling back towards the spine, and the third eye rests on the earth. Breath is into oneself. What's so simple about this? For some, the bend is beyond their capacity in the knee or spine. For others it is the internal quality of breath in the ribs against the thighs, the leaning of the heart inward that brings the emotions forward. Perhaps it is the openness in the back ribs, the breath ballooning over the kidneys that shifts the attention, or it could be simply feeling the earth below you, supporting your shins that lets the tension release from the back of your neck. Where does the mind go? Perhaps it begins with making all the little tweaky adjustments of ankles or shoulders, but if you stay there a minute other experiences begin, and perhaps your attention will shift.
Passing through Balansana for a moment to catch your breath is a wonderful thing too, like that moment when you take your shoes off after being in them all day. But in every Asana there are hidden treasures, secrets about yourself, illuminations about existence itself that come with time, time in the pose. So if you feel you are struggling and thrashing about in Vinyasa classes, give yourself a minute in your own practice or find a class that can slow it down for you. Spend a few breaths -- perhaps starting with 3 -- in each aspect of exploring Asana and your strength, flexibility, awareness and inner sense of alignment will catch up to you. Take that sense of balance back to Vinyasa class and see what a different experience it can be.
As a student once said to me, "There is just so much to think about all at once, including wondering what I am thinking about!" Letting this go, allowing the experience to get beyond thinking into experiencing the moment itself, is possible in one Asana or flowing through a Vinyasa. Try different approaches until you find the one that gives you the time you need to integrate and align yourself safely.
Thursday, December 31, 2009
Balance with Excitement and Reflect
As the year comes to a close, it is easy to lean forward into projections of what may come next. It is just as easy to turn and lean back into what has piled up as experiences in the past year. Either way it's easy to stir up lots of feelings, excitement, sadness, pride, wistfulness, determination, and hope. How do we find balance in the midst of the celebrations, the wash of feelings, the anticipation of a New Year?
Just as with an asana practice, we can find freedom when we find our foundation. Imagine a standing posture, feet resting on the earth, exploring the stability of the whole energy body! Lean forward in extended side angle (Utthita Parshvakonasana), turning upward (Parivrtta Parshvakonasana); lean back, arching in a peaceful warrior.
Let your foundation root you as you anticipate the new year and cherish your view of the past year. Whether it's your feet, your seat, or standing on your hands, there's support in every breath to give you the freedom you need as you welcome 2010.
Just as with an asana practice, we can find freedom when we find our foundation. Imagine a standing posture, feet resting on the earth, exploring the stability of the whole energy body! Lean forward in extended side angle (Utthita Parshvakonasana), turning upward (Parivrtta Parshvakonasana); lean back, arching in a peaceful warrior.
Let your foundation root you as you anticipate the new year and cherish your view of the past year. Whether it's your feet, your seat, or standing on your hands, there's support in every breath to give you the freedom you need as you welcome 2010.
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