The Trembling Leaf

Is it just fine to spend this moment focused on the trembling leaf outside my window? I can see the wind in its effects.  I see the terrible cold that stunted the earlier leaf buds on the ginko tree, yet I see the juicy green of the leaves that have unfolded at the very tips of the branches. So I consider Syrian refugees, and families that have been washed away by floods in East Texas, and I think of my students and am amazed at the level of focus as I say, "notice..." and "feel..."

I listen for their breathing and I can feel the way they share their energy, whether they mean to do it or not.

My heart has so few protective layers when I teach. I feel this time of year like the growth of new skin on my finger tips. I am like the cucumber seedlings on my windowsill.  Each tendril on the cucumber plants seeks something to support it -- wrapping around the stem of its neighbor, or the stick nearby, or simply reaching out into the unknown to see what it touches, not caring too much if it is a fence, a stick or a weed. Aren't we just like that too, until we curl back towards ourselves in protection or just stick with what we know?

Can't we simply sit in the fading evening light and take both delight and sorrow in the trembling leaf? Of course we can. And it helps to know that others can give themselves permission to do this too. I can say in this blog, however public that may or may not be, that it is fine with me if you do likewise. No matter who you are, where you live, who you love, what you are fleeing, or how you dream.

Being: Day Lilies for One Day

All day long, from the very start, I consider the lilies and am filled with amazement and wonder. It's not just that they are incredibly beautiful, so many colors, interacting with the light as it changes all day long. No, it's not that really. It is this inevitable truth that they open these insanely perfect blooms for just this day and then, that's it. If it's a rainy day, well, that's their day. If it's burning hot or windy or full of bugs or deer eating lilies for lunch or whatever, that's their day. And they bloom their very best, regardless.

I've tried to capture them with my digital camera but the colors are not right. These lilies are alive and blooming, I mean specifically, these lilies are totally saturated in the very act of blooming all day long. How can any frozen second capture that? Like this breath, or this eye blinking? A living moment.

And in the twilight of their one day, they are luminous. Some of them are already closing their petals having had their full day of possibilities. Some of them are just beginning to peel open that first petal at dusk in preparation for full bloom at sunrise.  Some bloom into the night. When dead-heading lilies early in the morning (breaking off the spent blooms to make more space for the opening ones), one must be very attentive to those that close in the morning.  They can look so much as though they are just opening.

I can only imagine this feeling of being completely in fullness in every moment. That this is the day for me. Yet it is true that this IS the day for me, and for you, and this day and this day. It seems so wildly unbelievable that we can have a chance to really live in every moment, day after day, when these remarkable and unique lilies only get one. Just one day. Live the one you're in.

bud opening, bloom closing

Inner Layers Align, Koshas of an Asymmetrical Body

I'm standing in my kitchen thrilled by the quintessential integrity and alignment in this little teapot by Hsin-Chuen Lin on my shelf. How can an object be so beautiful, proportioned perfectly, balanced in every way in form and function and not be symmetrical? In my own daily life, I see so many moments when my inner dialogue seems designed to keep me off balance. I think of how my mind offers me criticism, praise, observations, excuses, prompts, and shifting values in every moment, all of which push and pull me around. I'm learning that my sense of inner alignment comes from some where else, some where other than all that ongoing mental activity.  I think this little tea pot reflects inner alignment and more than just the physical skill of the potter who made it.

In my first yoga training, I was introduced to ideas about the Vedantic and yogic concept of Koshas, the layers, conceptualized as sheaths or "bodies," in which we function and experience awareness. There are said to be five of them, the physical body (Anamaya kosha), the breath body (Pranamaya kosha), the energy body (Manomaya kosha), the mental or wisdom body (Vijanamaya kosha), and the bliss body (Anandamaya kosha). Of course they have names in a number of ancient languages, but for my purposes they are layers of living awareness, each rooted in some aspect of my concept of self, and expansive in ways that are becoming more accessible to me through daily life by way of my yoga and meditation practices, and my growing mindfulness. I don't have to separate them, or define them by anyone else's terms, though sometimes what others say or experience does shed light in places where I'm not so clear. There is a delicate balance between allowing myself to let go of defining elements in order to experience reality without distortion or projection.

It is as simple as being fully present, a practice that takes everything I've got. I can allow this in anything I'm doing -- a level of cultivated awareness from which I slip in and out. In my yoga practice I take a standing pose of warrior one (Virabhadrasana I). This is similar to a standing lunge with the back leg at more of an angle and the back foot fully down on the floor so that each hip is rotating a little differently from the other. To start with, I am probably full of technical check points, sensing the difference when my left ankle is the rear support or my right ankle takes that role. My awareness scans my body - so much variation day to day, moment to moment, in this hip or those quadriceps or shoulder. First layer, Anamaya kosha indeed, full of recorded experience as well as sensations in this moment. I notice that my breath inhabits my form, operating on another level. I notice the slight twist in my ribs as I breathe, feel expansion inward and outward throughout my body, and feel that I am gaining access to my energy body, flowing inward from earth and air and outward into earth and air. I can sense dull places where there are less open channels, and vivid places that are like energy centers. In all of this my mind is awake (at least some of the time). This is not the judgmental, critical, assessing mind, but a spacious, curious mind. Beyond these sensory, physical, intellectual or emotional facets arises a inclusive connectivity, that in some inexplicable way accepts the space where I stand, the air I breathe, other living beings and myself in this without distinguishing hierarchies or values, offering a sense of total being.

All this happens with continuing messages from my stiff left ankle, knowing that my right shoulder is not level with my left, and listening for that wasp dive-buzzing the corners of the window nearby. I'm not driven towards perfection, not expecting my physical form to be symmetrical or to accomplish some kind of measurable feats in order to be worthy of my respect. My body is not unlike the little teapot, a graceful offering of internal alignment, within its functional range of motion.

We are the fruits of the Earth too: just one, all one

Reading several different descriptions of the eight limbs of yoga, I am struck again and again by how they are inseparable. It is a strange function of our human way of using language that separates words and concepts, creates constructions for us. The moments when the mind can see this, yet not attach to it, are the openings pervaded by the essential qualities of life. For some this translates to a flow state, for others into nirvana, orgasm, or transcendence. Basically it is a unified condition, not separating into any of the this-and-that usually running our daily activities.

People are not separate either, though it sure feels as though we are if we stick with our mental configurations.  A friend passed along an article about our intrinsic mirroring neurology, that which gives us joy when we see joy in another, and sorrow when we see sorrow in another. This is built in to us, a depth of compassionate connection that can be traced to specific chemicals in the body released in specific reactive moments.  We can cultivate these in our yoga and meditation practices by opening to the flow of compassion, and allowing our feelings to rise and dissolve the barriers. We will not disappear into pain and suffering, quite the contrary, we begin to see that there is so much else that supports and nurtures us.

We are all fruits of the earth.

I brought a handful of grapes to class one day, inviting each student to take one. Some ate them right away, so I instructed everyone to eat that one, and offered a second one to observe. With the flavor and textures of that first grape in the mouth, we looked at the little dark globe in our hands. Each just a grape. Outer skin a little tough and bitter, inside juicy and sweet, and beyond that, buried in the interior, the crunchy seeds that could be seen as the purpose of the grape itself. None of these grapes looked outstanding in the bunch, yet each was so delicious. None of them, eaten by us, would come to fruition through the seed within forming a grape plant, yet each fully served a purpose, perhaps several purposes actually.

Are we not as the grapes in the bunch, each just a grape, yet perfect in our multiple possibilities and purposes? Do we not all have a bit of the toughness of that outer skin, the sweetness of that inner flesh, the potential of that crunchy seed we are designed by our very nature to nurture?

Thoughts of Snakes & Heart Breaks

I've thought before about the way a broken heart feels as though it just isn't working properly anymore, as though the shell around the form has broken open and everything is tender and at risk. Oddly enough I began thinking about this in terms of growth rather than destruction or disrepair. This morning I had the deepest feeling about snakes and the way they literally lose their skins in order to allow for growth. They do not mourn the old skin, truly a sense of non-attachment! Nor do they worry about the size or shape of the new -- no grasping!  This happens several times in their lifespan, as it does, seemingly in our own human life span whether we see it that way or not.

It is amazing to see a snake swallow its nutrition in the form of whole animals. I think of the long slow sustaining absorption process that takes place along the enormous length of its digestive track.  Could it be helpful to think of ourselves in this way, that these huge inputs require a long slow digestive fire to take in the full meanings and sustain our growth? It seems we far too often think we ought to know in an instant, or learn over night, or get the message that first time. I know from my own teenage journals that I really did experience much that led to insights only to go on and repeat the lesson until I was able to actually absorb the insight.  What if we give ourselves the benefits of time without judgment, using  the kernels of understanding as they break free from the mass?

And then there's that wild way that snakes move, always with strength and grace, yet more often than not, resting quietly absorbing the heat of the day, or breathing slowly in the coolness of shade. They spend much more time just being than being busy. Wouldn't this help us too?

I'm not saying that we are snakes, or that snakes are we (at least I don't think that's what I'm saying), but I do think we suffer far too much heartache without associating that ache with the growth it so often makes possible. No matter what kind of day I'm having, if someone near me allows me to see they are struggling, I feel the ache. Years after a loss, or a painful scene, the heart can revisit its old shapes and replay the cracking of what felt like the safety of the shell.  We do this in our sleep through dreams, we do this in a split second when the air smells a certain way, or the light hits the edge of a leaf. You know what I'm talking about. Our hearts are very open to being broken, to feeling soft and exposed. Perhaps this belies a suppleness we have overlooked.

We go to a movie and weep for the characters. We hear a voice singing of heartache and ours responds. (I think of Leonard Cohen's song "Hallelujah.") If we are not grasping at the past, are we yearning for the future?  Can we re-visit our snake ancestry and allow the cracking to open us to the self that is already there growing into who we already are?

I come back again and again to this kernel that broke clear:  I am not waiting for anything. I am already right here. If that is so, then nothing is broken and I have what I need to make of this moment all it can be. I can allow myself to let go of the cracking shards and truly break open.  Is this a frightening idea? It is so only if being more fully oneself is frightening. Isn't that where life expands? Filling in the new skin, growing into the new shape, and going on until the next cracks let the light in to see the soft, supple and unfettered heart?

the mind of not all or nothing: just see what emerges.

Walking in the light powdery snow, I was bewitched by the transformations, leaves became cups and simultaneously appear as knife-like edges in the snow. Distances in the valley are aflutter with white flecks turning air and space into volumes. Definitions disappear. Here the submerged log emerged with its tinge of velvet green moss. What is the truth about the light snow, the maple branch below or the leaf litter? Can the surface be surface, while the depth is a huge mass of fallen tree, and the snow be falling too?

All bound up in thinking, I bind myself up with projections, goals, memories, ideas. Reaching for the shapes that I think, I practically block any sense of the real. I cannot pretend to give up thinking, nor do I want to do that. I am beginning to see that it doesn't take huge complicated tools though to loosen the tightness of the bind of my thinking. It is like the way I learn not to reach too hard to catch my own hand to bind an asana only to give up on my spinal alignment.  It begins with noticing that my thinking is confining me.

More and more I see how selective my letting go has been. I seem to release this grip, but not that grip. I believe this, but not that. I tolerate this, but not that.  Once I see this personal structure, this selective way of grasping at one aspect while avoiding another, I have the opportunity to be more fully. Truth and freedom, equanimity and clarity glimmer in all the levels of letting go. It is not an all or nothing proposition, like light appearing in the dark. It is always light.

In my snowy walk, the most striking thing happened as I turned to return to the house. I felt thrilled and surprised to the core to see the subtle impression of my own tracks:  a slight disturbance in the powdery snow with delicate crushing of the leaf edges into the powder. This evidence of my own steps seems most marvelous of all -- holding for just a moment all the wonder of impermanence and presence.

The Tenderest Shoot

Pastel by Ruth Waddell

In Upstate New York the earth is frozen hard until the sun's rays reach into that first few centimeters, softening, and warming even as the air temperature rises just above freezing. On the shady slope under the old maples the snow still holds its piles and drifts, though they've sunken and crystallized from thaw and freeze.

The tiny spikes, translucent yellow-green, flat and luminous, pierce this frozen layer and poke up above the earth into the bright sunlight. The garlic is coming up. The day lilies, too, have begun their journey from the dark to the light, just as the length of day equalizes with the length of night, here in the Northern Hemisphere -- and equally in the Southern Hemisphere. Equinox, "equal night," began with an enormous and unusual "perigee" moon, closer to earth due to its elliptical shape.

How can something so fragile make it through such a forbidding environment? Even once above ground the variations in temperature seem impossible to bear for my skin, and the wind when calm is fine but it kicks up into biting nose-running cold.

Living in this fragile human body I am in awe of the tiny garlic spike. My own strengths are also in my tenderest parts, those that open to awareness, draw my attention, expand my view beyond the frozen and hardened into the wildness of conditional fluctuations. The ability to see my self in all my reactive nature comes directly from this place of openness, where anything might pierce the luminous and let the darkness in, yet just as easily break through the darkness with light.

I cherish my understanding of how the roots dig in and suck in nutrients; the garlic bulbs swell and form cloves in heads just below the surface; the spike lifts and rises into elegant spears of leaves and stems sending up a globe of blooming flowers, the flavors and aromas of garlic in every bent stem, in every bloom.

treasuring the unknown

It is unfamiliar for me to walk in a Southwestern desert landscape. The forms and contortions that vegetation make to adapt in the severe and extreme climate astonishes me. I find the utter newness keeps me vibrating with joy and alertness. It is so natural to resist change or the unfamiliar, yet I have chosen to put myself in a context where I do not have the usual clues and continuity. What remains steady is my attention.

I know that one foot steps and the weight shifts. There is red rock dust and gravel beneath my feet, the air smells sweet and there is no wind. Everywhere my eye turns I am seeing the possible and the impossible. My own interpretations cease to carry much meaning. There is such grace even in the harshness. So much life even in these adverse conditions. It is easy to watch my own patterns here, in this wide earthly ocean. I see my attempts to categorize, to combine what I know with what I do not know. I feel the open spaces where the unknown beckons my mind even as it is easier to leave the mind resting, an observer.

FInding the Jewel in This Moment

Open the pomegranate.
Marvel at the deep color
And perfect imperfection
of geometry and succulence.
Now deal with the stain,
holding that appreciation
within yourself
succulent and
perfectly
imperfect
as you are.

This is the best moment of your life.
This is the best moment of your life.
This is the only moment of your life.
This is your moment.
This is your life.

Cold wind in your face,eyes watering,
Shove your hands into your pockets.
Meet the gaze of each passerby
and smile to the corners of your eyes
sharing the exhilaration, the confrontation.
Being alive and awake.
Watch yourself rush, or regret, pity or retreat.
And smile at your self
grateful for the cold
to the corners of your eyes,
cherishing the warmth of your heart
and your runny nose.

This is the best moment of your life.
This is the best moment of your life.
This is the only moment of your life.
This is your moment.
This is your life.

Those Blooming Beings!

In Brooklyn walking to teach, I pass the rose bushes that inhabit the small garden spaces, overhang the wrought iron fences, and scatter their petals across the sidewalks. I feel waves of joy and gratitude as I observe the blooms, half open, full blown, and wilted, browning petals and the infinite potential of the buds. Just like remembering my own breathing, I nod in recognition of this continuous cycle of creative energy. Without a judgment of what is beautiful or what is not beautiful, or, acknowledging the human tendency to make such judgments, I feel intensely present.

In my upstate world it is earlier than that. It is the crowning moment of the iris bloom. Only the hardiest of shrub roses are open -- it is a rare one of the flamboyant sisters in Brooklyn that could survive the winters here. Yet the irises have outdone themselves as they must with variations and each as wonderful as the next, they stand folded and unfolding their treasures. Tall, short, single, multiple, every hue, fragrant or not, shade or sun, there they are. In the sun the petals are sometimes like the wavering wings of insects, translucent and veined. In the shade they are sparkling glowing and luminescent. A sudden pouring rain and they are drenched, sodden, leaning, and in some cases broken. In every aspect theirs is a direct expression of energy. Each moment is a marvel. When there were only three open blooms, they were an amazement. Now there are hundreds and they are still an amazement. Slug eaten, wind torn, or delicately perfuming the world, this year's bloom will come and go.

When the blooms are done, their leaves will spread open to the sun, their tubers will sink roots more fully into the soil and in time their seasonal death will come. Each moment fully present, just like those Brooklyn roses, rotting on the sidewalk or cascading over the fence. Thank you for sharing the path with me.